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$500.00

Vetta Line 6 Combo Amp With Fbv Pedal Used Almost Nu


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   1
gretsch 274172506956034990 Vetta Line 6 Combo Amp With Fbv Pedal Used Almost Nu

 

Line
6 Vetta features Two Amps At Once and the Double

Tracker. Each channel is a complete rig, with
your choice
of amp models–any 2 at once, stompboxes–any 3 at once, and
studio quality post-amp processing like reverb, compression,
pitch
shift, and EQ—all at once. Both amps are totally
independent, with
different stompboxes, tone controls, cabinets, and FX sends.
You
even have full panning control so you can stick one on the
left and
one on the right, or any point in between.

VETTA
AMP MODELS

VETTA
EFFECT MODELS

VETTA
CABINET MODELS

Line
6 Clean

STOMPBOXES
- DISTORTION

based
on...

Line 6
Sparkle
Arbiter Fuzz
Face
1x6x9
1960's 
Supro S6616 

Line
6 Twang
Chandler
Tube Driver

1x8  

1961
Fender Tweed Champ 

Line 6 Bayou
Electro-Harmonix
Big Muff Pi
1x10
1959 Gibson
GA-18

Line
6 JTS-45
Ibanez
TS-808 Tube Screamer
1x10
1960
Gretsch 6156

Line 6 Class
A
Tycobrahe
Octavia
1x12
1953 Fender
Tweed Deluxe

Line
6 Mood
ProCo
Rat
1x12
1964
Fender Deluxe Reverb

Line 6
Spinal Puppet

 

1x12
2001 Line 6
Cabinet

Line
6 Throttle

STOMPBOXES
- MODULATION

1x12
1981
Mesa Boogie Mark IIc+

Line 6
Chemical X
A/DA Flanger
1x12
1961 Vox
AC-15

Line
6 Purge
Boss
CE-1 Chorus Ensemble
1x15
Supro
Thunderbolt S6420

Line 6
Insane
MXR Phase 90
2x2
1996 Fender
(Mini-Twin)

Line
6 Octone
Uni-Vibe
2x12
2001
Budda Twinmaster

Line 6
Piezacoustic1 (for acoustic)
Line 6 Lumpy
Phase
2x12
1966 Fender
Twin Reverb

Line
6 Piezacoustic2 (for solidbody)
Sine
Chorus (digital chorus)
2x12
2001
Line 6 Cabinet

 
Square
Chorus (digital chorus)
2x12
Matchless
Chieftain

Plus
models based on...
Line
6 Expo Flanger
2x12
Roland
Jazz Chorus 120

Budda 2001
Twinmaster

2x12
Silvertone
Twin Twelve

Fender
' 53 Tweed Deluxe

STOMPBOXES
-
DELAY

2x12
1967
Vox AC-30

Fender ' 58
Tweed Bassman
Boss DM-2
Delay
4x10
1958 Fender
Bassman

Fender
' 61 Tweed Champ
Electro-Harmonix
Deluxe Memoryman
4x12
1973
Hiwatt Custom 100 Cabinet

Fender ' 64
Deluxe Reverb
Maestro EP-1
Echoplex
4x12
2001 Line 6
Cabinet

Fender
' 65 Twin Reverb
Maestro
EP-3 Echoplex
4x12
'
67 Marshall w/Celestion Greenbacks

Fender ' 96
Mini-Twin
Roland
RE-101 Space Echo
4x12
' 68
Marshall w/Celestion Greenbacks

Gibson
Explorer
Binson
EchoRec
4x12
Marshall
Cab w/Celestion G70's

Gretsch 6156
Digital
Delay
4x12
' 67
Marshall Cab w/Celestion V30's

Hiwatt
' 73 Custom 100
Reverse
Delay
4x12
2001
Mesa Boogie Cabinet

Marshall '
65 JTM-45
Lo-Rez
4x12
Soldano
Cabinet

Marshall
' 68 Super Lead
Line
6 Phaze Eko

A.I.R. II
Mic
Options

Marshall
' 68 Super Bass
Line
6 Sweep Echo
Shure
SM-57

Marshall
' 68 Variac'd Super Ld
Line
6 Bubble Echo
Shure
SM-57 Off Axis

Marshall '
68 Jumpered Super Ld

MD-421

Marshall
' 69 Major

STOMPBOXES
-
DYNAMICS

MD-421
Off Axis

Marshall '
87 JCM 800
Boss CS-1
Compression/Sustainer
U-67

Marshall
' 96 JMP-1
Boss
CS-1 Treble (treble boost switch)
U-67
Off Axis

Matchless
Chieftain
MXR
DynaComp

(A.I.R. II
only
affects the direct out signals)

Matchless
DC-30
Line6
Vetta Comp (fixed ratio 2.35:1)

POST
EFFECTS -
REVERB

Mesa Boogie
2001 Dual Rectifier
Line6
Vetta Juice (fixed threshold -40dB)
Deluxe
Spring (blackface Fender Deluxe Reverb)

Mesa
Boogie 2001 Triple Rectifier
Auto
Swell
Twin
Spring (blackface Fender Twin Reverb)

Mesa Boogie
Mark IIc+

King
Spring (Line 6 original)

Silvertone
Twin Twelve

POST
EFFECTS -
TREMOLO

Small
Room (studio reverb chamber)

Soldano
SLO-100
Fender Opto
Large
Room (studio/nightclub chamber)

Supro
' 60's 6x9 S6616
Vox
Bias
Studio
6 (development studio at Line 6)

Supro
Thunderbolt

Tile
Room (porcelain hall bathroom)

Vox
' 61 AC-15

POST
EFFECTS - EQ

Memphis
Plate (aka Sun Studios recordings)

Vox ' 67
AC-30 Top Boost

Graphic EQ -

Foil
Plate (modeled gold foil plate reverb)

Bogner
'02 Ecstasy     

(4-Bands @
80Hz,
200Hz, 800Hz, 3kHz)

Blue
Plate (Line 6 original reverb)

Bogner '02
Uberschall 

4-Band  EQ -
(High/Low Shelving EQ +

Bingo
Hall (very reflective/medium hall)

ENGL   
'02 Powerball  

two bands of
fully
parametric EQ)

Concert
Hall (concert hall with lovely tail)

War
Memorial (your basic stadium)

POST
EFFECTS -
MODULATION

POST
EFFECTS -
PITCH SHIFT

Hanger
18 (really BIG reverb)

A/DA Flanger
Dual Voice
Detune/Shift
Propellerverb
(dark, fluttery, wooshy reverb)

Boss
CE-1 Chorus Ensemble
(pitch
+/-12 half steps, 1 octave up/down)
Radioverb
(reverb for feelings and emotions)

MXR Phase 90
(detune +/-
50 cents)

Uni-Vibe

POST
EFFECTS -
DELAY

 NOISE
GATE
- (pre-everything)

Line 6 Lumpy
Phase
Boss DM-2
Delay
A
downward expander that "gates" noise.

Sine
Chorus (digital chorus)
Electro-Harmonix
Deluxe Memoryman

POST
COMPRESSOR

Square
Chorus (digital chorus)
Maestro EP-1
Echoplex
A
dual "post" compressor, one for each amp.

Line
6 Expo Flanger
Maestro
EP-3 Echoplex

EFFECTS
LOOP

Leslie 145
Roland
RE-101 Space Echo
A
stereo "line-level" loop for rack mount fx.

Vibratone
Binson
EchoRec

DOUBLE
TRACKER

Digital
Delay

Since

the Vetta features the ability to use two totally
independent amp
models at the same time, the Double Tracker provides you with the
ability to "simulate" the effect of two separate
guitarists playing back the same part simultaneously
(through each
separate amp model)...but with the inherent timing, pitch,
and
dynamic differences that each player would have. The effect
can be
more than subtle, and definitely helps increase the
depth/size of
your tone.

Special
Notes:
Reverse
Delay

The
Vetta gives you three re-routable internal STOMPBOXES 1, 2
& 3
which can be assigned to be any of the numerous effects
listed here.
Any stompbox can feed AMP1, AMP2, or BOTH.

Lo-Rez

Line
6 Phaze Eko

Line
6 Sweep Echo

Line
6 Bubble Echo

Ping Pong
Delay

Vetta

A.I.R. II  Mic Options

The
Vetta uses the new A.I.R. II for Direct Output processing.
This is
nothing like the POD A.I.R. (which was more or less a volume
control
for a few milliseconds of miked-room ambience).

The A.I.R. II on the Vetta
is
actually three "classic" virtual modeled microphones (see
pics) with two settings each.

These "ONLY" affect the direct outputs and have no affect
on the signal that is going to the Vetta's speakers...anyone
can
verify this themselves by playing thru the Vetta Combo and
scrolling
thru the different virtual mics...you will not hear any tone
change
coming out the Vetta's speakers...which would make sense,
since you
typically mike-up a cabinet to record it, so obviously Line6
has
already included the virtual-mics for you., which is really
cool!

Shure

SM-57

Shure

SM-57 (Off Axis)

Sennheiser

MD-421

Sennheiser

MD-421 (Off Axis)

Neumann

U67

Neumann

U67 (Off Axis)

FBV

Longboard Expression Pedals - Parameter Assignments

As far as the
assignment of expression pedals, you can use the FBV
Longboard's two
foot pedals...or use an external midi foot controller that
supports
two "assignable" expression pedals, (such as the Behringer
FBC1010 or Ground Control), any MIDI CC 1 message recieved
at
Vetta's Midi In port will adjust the PEDAL 1 assignment, and
any
MIDI CC 2 message will adjust the PEDAL 2 assignment. You
are limited in what can be assigned to be controlled:

The LEFT PEDAL
can
"only" be assigned to: WAH or Pedal 1.

As Pedal 1,
you can
then route it to one of the following destinations:

Stompbox 1 Mix/Level
Stompbox 2 Mix/Level
Stompbox 3 Mix/Level
Tremolo 1 Depth
Tremolo 2 Depth
Loop Mix
Pitch Shift Mix
Post Mod Mix
Post Delay Mix
Reverb Mix
Post Mod Speed
Post Delay Time

The RIGHT
Pedal can
"only" be assigned to: Volume or Pedal 2.

As Pedal 2,
you can
then route it to one of the following destinations:

Stompbox 1 Mix/Level
Stompbox 2 Mix/Level
Stompbox 3 Mix/Level
Tremolo 1 Depth
Tremolo 2 Depth
Loop Mix
Pitch Shift Mix
Post Mod Mix
Post Delay Mix
Reverb Mix
Post Mod Speed
Post Delay Time

Stompbox

Routing

100
Watts Stereo (conservatively rated)

2x12"
Custom Celestion Speaker

65
lbs. (30kg)

29"W
x 20"H x 10.1"D (74cm x 51cm x 26cm)

Wet/Dry
Cabinet Support

Direct
XLR outputs

Programmable
stereo effects loop

Line
6 Vetta features Two Amps At Once and the Double

Tracker. Each channel is a complete rig, with
your choice
of amp models–any 2 at once, stompboxes–any 3 at once, and
studio quality post-amp processing like reverb, compression,
pitch
shift, and EQ—all at once. Both amps are totally
independent, with
different stompboxes, tone controls, cabinets, and FX sends.
You
even have full panning control so you can stick one on the
left and
one on the right, or any point in between.

VETTA
AMP MODELS

VETTA
EFFECT MODELS

VETTA
CABINET MODELS

Line
6 Clean

STOMPBOXES
- DISTORTION

based
on...

Line 6
Sparkle
Arbiter Fuzz
Face
1x6x9
1960's 
Supro S6616 

Line
6 Twang
Chandler
Tube Driver

1x8  

1961
Fender Tweed Champ 

Line 6 Bayou
Electro-Harmonix
Big Muff Pi
1x10
1959 Gibson
GA-18

Line
6 JTS-45
Ibanez
TS-808 Tube Screamer
1x10
1960
Gretsch 6156

Line 6 Class
A
Tycobrahe
Octavia
1x12
1953 Fender
Tweed Deluxe

Line
6 Mood
ProCo
Rat
1x12
1964
Fender Deluxe Reverb

Line 6
Spinal Puppet

 

1x12
2001 Line 6
Cabinet

Line
6 Throttle

STOMPBOXES
- MODULATION

1x12
1981
Mesa Boogie Mark IIc+

Line 6
Chemical X
A/DA Flanger
1x12
1961 Vox
AC-15

Line
6 Purge
Boss
CE-1 Chorus Ensemble
1x15
Supro
Thunderbolt S6420

Line 6
Insane
MXR Phase 90
2x2
1996 Fender
(Mini-Twin)

Line
6 Octone
Uni-Vibe
2x12
2001
Budda Twinmaster

Line 6
Piezacoustic1 (for acoustic)
Line 6 Lumpy
Phase
2x12
1966 Fender
Twin Reverb

Line
6 Piezacoustic2 (for solidbody)
Sine
Chorus (digital chorus)
2x12
2001
Line 6 Cabinet

 
Square
Chorus (digital chorus)
2x12
Matchless
Chieftain

Plus
models based on...
Line
6 Expo Flanger
2x12
Roland
Jazz Chorus 120

Budda 2001
Twinmaster

2x12
Silvertone
Twin Twelve

Fender
' 53 Tweed Deluxe

STOMPBOXES
-
DELAY

2x12
1967
Vox AC-30

Fender ' 58
Tweed Bassman
Boss DM-2
Delay
4x10
1958 Fender
Bassman

Fender
' 61 Tweed Champ
Electro-Harmonix
Deluxe Memoryman
4x12
1973
Hiwatt Custom 100 Cabinet

Fender ' 64
Deluxe Reverb
Maestro EP-1
Echoplex
4x12
2001 Line 6
Cabinet

Fender
' 65 Twin Reverb
Maestro
EP-3 Echoplex
4x12
'
67 Marshall w/Celestion Greenbacks

Fender ' 96
Mini-Twin
Roland
RE-101 Space Echo
4x12
' 68
Marshall w/Celestion Greenbacks

Gibson
Explorer
Binson
EchoRec
4x12
Marshall
Cab w/Celestion G70's

Gretsch 6156
Digital
Delay
4x12
' 67
Marshall Cab w/Celestion V30's

Hiwatt
' 73 Custom 100
Reverse
Delay
4x12
2001
Mesa Boogie Cabinet

Marshall '
65 JTM-45
Lo-Rez
4x12
Soldano
Cabinet

Marshall
' 68 Super Lead
Line
6 Phaze Eko

A.I.R. II
Mic
Options

Marshall
' 68 Super Bass
Line
6 Sweep Echo
Shure
SM-57

Marshall
' 68 Variac'd Super Ld
Line
6 Bubble Echo
Shure
SM-57 Off Axis

Marshall '
68 Jumpered Super Ld

MD-421

Marshall
' 69 Major

STOMPBOXES
-
DYNAMICS

MD-421
Off Axis

Marshall '
87 JCM 800
Boss CS-1
Compression/Sustainer
U-67

Marshall
' 96 JMP-1
Boss
CS-1 Treble (treble boost switch)
U-67
Off Axis

Matchless
Chieftain
MXR
DynaComp

(A.I.R. II
only
affects the direct out signals)

Matchless
DC-30
Line6
Vetta Comp (fixed ratio 2.35:1)

POST
EFFECTS -
REVERB

Mesa Boogie
2001 Dual Rectifier
Line6
Vetta Juice (fixed threshold -40dB)
Deluxe
Spring (blackface Fender Deluxe Reverb)

Mesa
Boogie 2001 Triple Rectifier
Auto
Swell
Twin
Spring (blackface Fender Twin Reverb)

Mesa Boogie
Mark IIc+

King
Spring (Line 6 original)

Silvertone
Twin Twelve

POST
EFFECTS -
TREMOLO

Small
Room (studio reverb chamber)

Soldano
SLO-100
Fender Opto
Large
Room (studio/nightclub chamber)

Supro
' 60's 6x9 S6616
Vox
Bias
Studio
6 (development studio at Line 6)

Supro
Thunderbolt

Tile
Room (porcelain hall bathroom)

Vox
' 61 AC-15

POST
EFFECTS - EQ

Memphis
Plate (aka Sun Studios recordings)

Vox ' 67
AC-30 Top Boost

Graphic EQ -

Foil
Plate (modeled gold foil plate reverb)

Bogner
'02 Ecstasy     

(4-Bands @
80Hz,
200Hz, 800Hz, 3kHz)

Blue
Plate (Line 6 original reverb)

Bogner '02
Uberschall 

4-Band  EQ -
(High/Low Shelving EQ +

Bingo
Hall (very reflective/medium hall)

ENGL   
'02 Powerball  

two bands of
fully
parametric EQ)

Concert
Hall (concert hall with lovely tail)

War
Memorial (your basic stadium)

POST
EFFECTS -
MODULATION

POST
EFFECTS -
PITCH SHIFT

Hanger
18 (really BIG reverb)

A/DA Flanger
Dual Voice
Detune/Shift
Propellerverb
(dark, fluttery, wooshy reverb)

Boss
CE-1 Chorus Ensemble
(pitch
+/-12 half steps, 1 octave up/down)
Radioverb
(reverb for feelings and emotions)

MXR Phase 90
(detune +/-
50 cents)

Uni-Vibe

POST
EFFECTS -
DELAY

 NOISE
GATE
- (pre-everything)

Line 6 Lumpy
Phase
Boss DM-2
Delay
A
downward expander that "gates" noise.

Sine
Chorus (digital chorus)
Electro-Harmonix
Deluxe Memoryman

POST
COMPRESSOR

Square
Chorus (digital chorus)
Maestro EP-1
Echoplex
A
dual "post" compressor, one for each amp.

Line
6 Expo Flanger
Maestro
EP-3 Echoplex

EFFECTS
LOOP

Leslie 145
Roland
RE-101 Space Echo
A
stereo "line-level" loop for rack mount fx.

Vibratone
Binson
EchoRec

DOUBLE
TRACKER

Digital
Delay

Since

the Vetta features the ability to use two totally
independent amp
models at the same time, the Double Tracker provides you with the
ability to "simulate" the effect of two separate
guitarists playing back the same part simultaneously
(through each
separate amp model)...but with the inherent timing, pitch,
and
dynamic differences that each player would have. The effect
can be
more than subtle, and definitely helps increase the
depth/size of
your tone.

Special
Notes:
Reverse
Delay

The
Vetta gives you three re-routable internal STOMPBOXES 1, 2
& 3
which can be assigned to be any of the numerous effects
listed here.
Any stompbox can feed AMP1, AMP2, or BOTH.

Lo-Rez

Line
6 Phaze Eko

Line
6 Sweep Echo

Line
6 Bubble Echo

Ping Pong
Delay

Vetta

A.I.R. II  Mic Options

The
Vetta uses the new A.I.R. II for Direct Output processing.
This is
nothing like the POD A.I.R. (which was more or less a volume
control
for a few milliseconds of miked-room ambience).

The A.I.R. II on the Vetta
is
actually three "classic" virtual modeled microphones (see
pics) with two settings each.

These "ONLY" affect the direct outputs and have no affect
on the signal that is going to the Vetta's speakers...anyone
can
verify this themselves by playing thru the Vetta Combo and
scrolling
thru the different virtual mics...you will not hear any tone
change
coming out the Vetta's speakers...which would make sense,
since you
typically mike-up a cabinet to record it, so obviously Line6
has
already included the virtual-mics for you.

, ,

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